Cheltenham Festivals blog

Cheltenham Festivals blog archives

Congratulations to Thérèse DeSouza, winner of Gloucestershire Young Musician, performing at HSBC Cheltenham Music Festival in July

1 week ago

From Meurig Bowen
Music Festival Director

Listen to the winning performance on BBC Gloucestershire.

More about the HSBC Cheltenham Music Festival 2–17 July.

The negative noise out there about young people and classical music is hard to avoid. There was the story recently about how a Derbyshire school successfully uses Mozart as the soundtrack to after-school detentions — behaviour rates have improved hugely apparently, such is the deterrent factor. And there’s all the stuff about dumbing-down, lack of classical fibre in the GCSE music curriculum, and indifference to attendance of live concerts.

Attending the finals of Gloucestershire Young Musician at the Pittville Pump Room is a great antidote to all this. Last night, we heard five instrumentalists — three violinists, a guitarist and a tuba player — each playing 15 minute recitals of great accomplishment. Aged between 16–20, their polished, confident performances were clearly the result of 100s of hours of hard practice. It takes raw courage to stand up there, in front of 250 people, and put yourself on the line like that, and they all deserve our admiration.

This was a good old fashioned competition. No hysterical audience interaction. No humiliating jibes from a showboating jury. Just a simple parade of talent and accomplishment, and one winner (though the jury did wish to highly commend the tuba player Andy McDade, whose engaging stage persona led to a stunning performance of ‘Fnugg’ by Oystein Oaadsvik — great name!)

The winner was Thérèse DeSouza. She’s leader of the Gloucestershire Youth Orchestra, and studies at Pate’s Grammar School in Cheltenham. Pate’s is clearly a music hothouse: last year’s winner, pianist Jonathan McNaught, and the 2009 Keith Nutland Award winner, Rosie Breckon, are fellow Patesians too (if that’s the name). Thérèse played some solo Bach, and respectively soulful and sparkling music by Bloch and Wieniawski. She has a lovely tone, great intonation, and a full emotional involvement with the music.

Thérèse’s win means she’s going to be particularly busy in July. She was already lined up to play the violin solo in Rimsky-Korsakov’s Scheherazade with the Gloucestershire Youth Orchestra at their HSBC Cheltenham Music Festival concert on Tuesday 13 July. She will now give a solo recital — shared with pianist Rosie Breckon — on Friday 16 July, and gives a concerto appearance with GYO during ‘Youth Makes Music’ at Cheltenham Town Hall. Apparently Thérèse wants to be a Vet — so she’ll have a bit of school work to fit in too…

We’ve tagged this post with , , , on Thursday 4 March 2010.


Exclusive video preview: Festival Directors’ Picks

1 month
3 weeks ago

The year’s only just begun, but we’re already excited about what promises to be one of the best years of Cheltenham Festivals yet.

For the first time this year, we’ve persuaded our Festival Directors to take some time out of their busy schedules to reveal their pick of the year’s events.

Be the first to book and save £££s with Membership.

Jazz Directors’ Picks

YouTube Preview Image

Music Directors’ Picks

YouTube Preview Image

…continue reading →

We’ve tagged this post with , , , , , , , on Tuesday 19 January 2010.


Music 2010 — sneak preview

3 months ago

Steven Isserlis

From Meurig Bowen
Music Festival Director

Quite a few people wonder what people like me get up to during the ‘low season’ of a Festival year. After a welcome post-Festival summer break, the autumn months are spent busily putting the finishing touches to the following year’s programme — and I can now share with you some of the exciting things that are in place for 2–17 July 2010.

Next year, it’s 200 years since Robert Schumann was born. Cellist Steven Isserlis, probably the world’s most celebrated Schumann enthusiast and interpreter, will be Guest Director for a series of events based around Schumann’s music (principally 9–11 July). He will be joined in a wide range of chamber, orchestral and song repertoire by performers such as mezzo Sarah Connolly, clarinettist Michael Collins and actor Simon Callow. Other artists performing Schumann, as well as the other 1810 birthday boy Chopin, include pianists Imogen Cooper and Freddy Kempf, and violinist Alina Ibragimova. Alina will also give a special performance of Vivaldi’s The Four Seasons, with newly commissioned poems written and read by Andrew Motion (6 July).

Other concerts I’m really excited about presenting in the 2010 Cheltenham Music Festival include:

  • A Rodgers & Hammerstein celebration from the City of Birmingham Symphony Orchestra, John Wilson and Kim Criswell (3 July)
  • Bournemouth Symphony Orchestra and their new Ukrainian Principal Conductor Kirill Karabits performing Tchaikovsky’s 5th Symphony and Chopin’s Piano Concerto No 1 (5 July)
  • A performance of Monteverdi’s Vespers in Tewkesbury Abbey — 400 years after it was first heard (8 July)
  • Alfie Boe, the Philharmonia and the Festival Chorus in an opera gala (17 July)

There’s a lot more planned, but I hope what I’ve described here gives you a sense of the range and riches planned for July 2010.

We’ll keep you further informed in the coming months, and the full programme will be available at the beginning of April. Priority booking (for Members only) begins on 7th April and public booking on 19th April 2010. To find out more about Members’ priority booking and discounts click here.

We’ve tagged this post with , , on Friday 11 December 2009.


Catch the John Wilson Orchestra’s amazing Prom on the BBC i-Player

7 months
1 week ago

John Wilson

If you didn’t attend the John Wilson Orchestra’s concert that opened the HSBC Cheltenham Music Festival, and if you weren’t able to catch their Prom in the Royal Albert Hall on Saturday night, you still have a chance to hear and see this wonderful orchestra in action.

Music Festival Director Meurig Bowen was at the concert on Saturday night. ‘Having enjoyed so much their concert for us in Cheltenham on Friday 3 July, I just had to hear them again, and soon! Fortunately, I picked up some returns — this Prom had sold-out well in advance — and it really was one of the most unforgettable concerts I’ve ever experienced.’

The Prom performance was a ‘Celebration of Classic MGM Film Musicals’, featuring gorgeous, show-stopping music from The Wizard of Oz, Meet Me in St Louis, Seven Brides for Seven Brothers, High Society, Gigi, Singin’ in the Rain and more.

‘The line-up of players that John got together for Cheltenham was pretty astonishing,’ Meurig continues: ‘Top-notch players from symphony orchestras and big bands around the country. But the Proms line-up was even-more richly endowed by the cream of British orchestral playing. With principal players from the country’s top orchestras populating the rank-and-file slots, it was the musical equivalent of a cricket world-eleven. Unbelievable playing. And the singing was wonderful too — from the sumptuous Sarah Fox and seasoned Sir Thomas Allen to cool crooning of Curtis Stigers and Seth MacFarlane. And the simply imcomparable Kim Criswell.’

BBC i-Player listen again →
view the broadcasts of this concert by BBC2 and Radio 3

…and read Edward Seckerson’s five star review in the Independent.

We’ve tagged this post with , , , , on Monday 3 August 2009.


Bowen Blog #8 — Painted Quartets

8 months ago

From Meurig Bowen
Music Festival Director

Painted Quartet by PJ Crook

The Music Festival’s specially-commissioned Painted Quartets exhibition is now up and running at the Summerfield Gallery, Pittville Campus. But not everyone is happy about it…

First, read this! It’s an editorial from the world’s most admired magazine for string players and instrument makers, The Strad:

Painting pretty pictures on instruments simply degrades them, argues Ariane Todes…

…continue reading →

We’ve tagged this post with , , on Tuesday 14 July 2009.


Meurig Bowen talks to John Rockley on BBC Radio Gloucestershire

8 months
1 week ago

With the 65th HSBC Cheltenham Music Festival starting today, listen to Festival Director Meurig Bowen as he chatted to BBC Radio Gloucestershire’s John Rockley on Wednesday (available on the BBC iPlayer for seven days). They discuss the festival programme and are joined by P J Crook to talk about our very original Painted Quartets project.

We’ve tagged this post with , , , , on Friday 3 July 2009.


Bowen Blog #7 — Psycho Man

8 months
1 week ago

Festival Director Meurig Bowen writes about Bernard Herrmann and his collaborations with Alfred Hitchcock. Herrmann’s suite to Hitchcock’s Vertigo appears in the opening night concert with the John Wilson Orchestra, Hollywood Rhapsody, and the Psycho suite is performed by the Festival Academy on Thursday 9 July.

herrmann-hitchcock

From Meurig Bowen
Music Festival Director

Gus van Sant’s less than critically acclaimed 1998 remake of Hitchcock’s movie Psycho was controversial for being more than a ‘remake’; instead, it was a shot-for-shot reproduction of the original, a clone rather than close relation. Importantly, the music was the same too, and understandably so. Because Bernard Herrmann’s score has proved to be one of cinema history’s truly great, and much copied, move soundtracks — one that Hitchcock himself generously acknowledged to be ‘33% of the effect of Psycho’. (How many other films can we think of whose directors would concede that?)

…continue reading →

We’ve tagged this post with , , on Thursday 2 July 2009.


A Music Festival preview — with Meurig Bowen

8 months
3 weeks ago

In this exclusive preview of the 2009 HSBC Cheltenham Music Festival, Festival Director Meurig Bowen guides you through the programme — and what events to look out for.

Don’t miss your chance to book these great concerts!

http://www.vimeo.com/5298007

Look out for…

We’ve tagged this post with , , , , , on Wednesday 24 June 2009.


Bowen Blog #6 — Festival Academy musicians 2009

8 months
3 weeks ago

From Meurig Bowen
Music Festival Director

For the first four years of its existence, the Festival Academy project has brought together a mixed ensemble of players — a combination of strings, wind, brass and percussion that approximates to the (now classic) London Sinfonietta-type contemporary music ensemble.

We will doubtless return to this grouping of players in years to come; it affords a huge range of programming possibilities, as those first four Festival Academy years have shown. However, for 2009 (and quite probably 2010 as well), I decided to ring the changes and steer the Festival Academy towards string orchestral repertoire. For a group of 17 string players (10 violins, 3 violas, 3 cellos, 1 double-bass), a vastly different world of repertoire opens up, and I felt it would be interesting to explore this — particularly in a year where there is a dual, and entwined, focus on string instruments and music of Jewish origin. (From Joachim and Auer to Menuhin and Stern, the list of brilliant Jewish string players is a mighty one indeed).

…continue reading →

We’ve tagged this post with , , on Wednesday 24 June 2009.


Bowen Blog #5 — an unusual photo-shoot

8 months
3 weeks ago

From Meurig Bowen
Music Festival Director

Like sheep being herded into a pen, we gathered all the painted instruments together for the first time on Saturday morning, and took them to Bishops Cleeve for a photo-shoot (at least they didn’t need to go into Hair & Make-Up first). It was an unusual cargo — violin and viola cases almost as sorry-looking as the instruments they’d contained crammed into the car boot, a couple of loose ones sheathed in bubble-wrap, two cellos spread out on the back seat and one in between legs (where a cello should be, after all) in the passenger seat.

Painted-Quartets-3

I say ‘all’ the instruments, but I mean ‘all the instruments we’ve had back so far’. In the last week or so, with the end of June deadline approaching, a good few more have arrived back from the artists. If you commission articles or programme notes — as I have been recently, for our programme book which is just about to head off to the printers — the commissioned work gets delivered in an e-mailed attachment. These instruments have different ways of making themselves known. The first time I caught sight of Gillian Lever’s richly-coloured and layered viola was as an impromptu exhibit in last weekend’s superb Cheltenham Open Studios, sitting with a strange beauty on another artist’s living-room bookshelf.

Ana Bianchi’s beautiful Lilly violin was handed over to me at the entrance to the magnificent Fresh Air 2009 sculpture show in Quenington — which Ana has expertly curated. Paul McKee’s broodingly dark violin arrived in the office in a plastic bag (more bubble wrap of course). And with some trepidation I collected Mila Judge-Furstova’s cello (pictured) from her Cheltenham flat. Mila’s remarkable instrument is unwrappable. Not only has she cut out panels from the cello’s belly; she has adorned the fingerboard with intricate, swirling paper sculpture. No cello case could contain or protect that.

…continue reading →

We’ve tagged this post with , , , on Monday 22 June 2009.